Here’s something to do with all those papers that aren’t quite frameable art, but way too wonderful to toss away. The paper is Arches velin (text wove). Using watercolor, pencils, china marker and sumi, I’d made quite a collection of paper. Using precut Davey board from John Neal Books (5×7), I covered them using one of the half sheet papers. The inner signatures are made using the decorated papers, plain Arches text, and black Hahmemule ingres. Bound with a Coptic stitch using black book thread, I now have a small sketchbook to carry with me. You can find Youtube video instructions online in several places for the coptic stitch.
Thanks to Laurie Doctor for sharing her wonderful sketchbooks with us at Cheerio and spurring me to create some of my own. I promise to post some of the pages when I’ve added to them.
I had the great fortune of spending the weekend at Annie Cicales’s in Fairland, North Carolina with six other calligraphers studying all the ins and outs of working on vellum. We began with wonderful slunk (fetal or stillborn) calf skins hand chosen by Denis for us from Ireland. Then from cutting, sanding and sandarac to writing materials, backing papers and finally stretching and mounting, we each produced delightful 5×8 pieces.
It was an amazing three days of work interspersed with video presentations by Denis where we marveled at both the diversity of his work and the myriad ways he’s incorporated calfskin into the most contemporary of calligraphic work. Many thanks are owed to both Manny Murillo and Annie Cicale for all their hard work arranging and hosting us.
We opened each morning with marks made in Sumi and the walnut ink. The marks were made with a large brush and with our eyes closed. David was the first to add a spontaneous and brilliant splat to his mark, but I don’t think Beth is going to forget how her “happy moment” with the walnut ink baptized us on the other side of the table.The papers were left on the table each day for us to annotate as we saw fit.
Billy was a master monitor in making sure we didn’t forget to add our bit to each of the sheets as the day went on. We weren’t quite sure what we would do with them today, but to our wondrous surprise he and Joyce hung them from the rafters and we closed our week by each cutting a section to take home.
Here is a view of one of the four sections still hanging but after we removed our bits. Quite fun to see the results of our spontaneous marks.
So ends another wonderful week in calligraphic paradise. Back in September to wrestle with the pointed brush under the masterful tutelage of John Stevens.
We’ve been busy bees here in God’s country. Lots of wonderful writing. Watercolor backgrounds from palettes of three colors. Writing with different tools and materials. Here are two of my own that have reached a reasonable state of completion. Now back to work!
First day and what fun we’ve had. Blind contour writing and color mixing with lots of exercises involving sumi ink, graphite pencils and watercolor. This photo was taken at the end of the day and represents blind writing of an early Greek alphabet and colors developed from a simple palette of Daniel Smith watercolors – quinacrodone gold, quinacrodone coral and phalo blue (RS). Finding all those mysterious browns and grays was both challenging and wondrous.
It’s a wonderful rainy morning here in beautiful North Carolina. The swallows are busy nesting in the eves of the craft house and the fog has settled in for a while. What a great way to start the week. I’m spending the week with Laurie Doctor and those of you who don’t know here work should peruse her website. She’s an amazing artist and teacher. The other half of the class is working with Denis Brown on his polyrhythmic techniques. We’re lucky to have wifi now, so I’ll try to post some photos in the evening. Needless to say Cheerio is the closest thing to a calligrapher’s heaven on earth.